How I Spent My Summer Vacation 1989

Here we are again, with another round of seeing what our beloved cast did in their downtime in 1989.  Let’s go ahead and get this one out of the way:

Melanie Wilson


Okay, now that–

Rebeca Arthur



Belita Moreno


–okay come on–

Jo Marie


Jo Marie Payton chari Bari Ruchi-pip Peri Pembo was on the screen for about 1 whole minute in the film Troop Beverly Hills. She plays a sassy black woman who works in a uniform store and says the word “shit” in front of a bunch of kids.


She also showed up on the “Jailbirds” episode of Small Wonder. She plays a sassy black cop, but she goes undercover–as the only black Misfits fan ever–to scare the robot kid because the robot kid was spraypainting. I don’t know enough about this show to make jokes about it, but that’s okay, because from what I can tell the writers didn’t know enough about making jokes.



FJ O’Neil


On that same episode of Small Wonder, my man RT (Remanded Trial) Wainwright plays a judge. Big whoop.


He was also on an episode of Tales From the Crypt (“The Man Who Was Death”) playing a priest who says a bunch of, ahem, Religious Talk at a prison execution.  What can I say, this man looks good in robes.


Mark Linn-Baker

Mark was on Valerie’s Family: the Hogans (a show that underwent more name changes than an early EC comic*) playing somebody named Stan Forrest. The episode title was “Stan and Deliver”. I wonder who played Deliver HAR HAR HAR. Sorry, no screenshot.


Sam Anderson

Star Trek: The Next Generation

Assistant Manager, “The Royale”

This is the only ST:TNG episode I’ve ever seen, but it lives up to the hype! The bald dude said “Make it so” and everything!  Here, Sam Anderson is–


a slightly menacing assistant manager in a suit! Surprise!

Alien Nation

Thomas Edison, “The Game”


Fun fact: Sam Anderson didn’t need the usual alien bald cap for this episode; he just shaved his head.

Slick Sam was also on an episode of Hooperman playing somebody named Dr. Lazlo. I can’t find it to watch it, but I bet he wears a suit in it. A doctor suit.

I wonder what Bronson’s up to…


Bronson Pinchot




Well, this continues to be the most disappointing feature on my blog. I mean, this is a lot of work just to get across the point that Perfect Strangers was the best thing these actors had going back then. But, hey, Bronson’s big movie was due to come out soon!  Certainly that would elevate the visibility of every member of the Perfect Strangers cast, and we’d see them all rise to stardom.

But for now, let’s do the news & magazine articles from May 7, 1988, through May 6, 1989. Reviewing the news coverage of seasons 1, 2, and 3 all at once was illuminating and worthwhile because those articles told a story about stories that morphed over time. Who Bronson is. How he rose to stardom. Where he’s going. How Perfect Strangers started. How stingy Mark Linn-Baker was with his words and money. To further that analogy, I’d have to say that I’m writing another chapter here. But ultimately, what I want to get from these is whether they a) support, or b) challenge what’s come before; the overall tone of how the show is being treated; whether Bronson says which toe he likes to suck on most.


Season 4

“Bronson Pinchot is a survivor….”

“The problem was, Pinchot wanted to be a real actor.”

I’m a reference librarian, and one of the traits I try to instill in students is to be inquisitive and skeptical.  Part of this includes making sure that at least two independent sources agree on the information you’re using.  So it makes me very happy that I now have another source (the second article is a condensation of the first) to prove Rebeca Arthur was not lying on Pat Sajak’s show when she said that she was going to be the Azalea Queen at the 1989 North Carolina Azalea Festival.  She replaced some unrepentant whore named Julie McCullough, who had appeared in Playboy.  But since Arthur–who studied dance and theater at the University of Maryland–had no primary or secondary sexual characteristics, she was determined to be perfect for the festival.

It should be no surprise by now that Mark Linn-Baker  had definitely been busy in his off-time.  He was one of the producing directors of the New York Stage and Film Company, and that the organization had grown large enough that they wanted to start another such program for theatre students in Sarasota.

Other than that, the article is mostly a collection of all the other quotes that Mark has rehearsed to give during interviews, which seems to hold up across publications, as well as television interviews. I enjoyed making My Favorite Year, I like theater but I am proud of the funny stuff I do on TV, Bronson and I hit it off quickly, the press is disappointed there isn’t behind-the-scenes drama, I’m not quite the straight man, unless you’re talking about Jackie Gleason in the Honeymooners…

god fucking dammit they’re going to do a Honeymooners episode, aren’t they

A couple of choice quotes from that article:

Mark: “…I wanted the next film to be something special. So I ended up turning down a lot of films that came my way. I wasn’t looking to do a mindless comedy. I tried to be very picky.”

Well, that certainly explains him voicing a penis.

Mark (he’s a different Mark who wrote this article): “…the two stars say they’ll be willing to stay as long as ABC wants them.”

Turns out Mark (the actor) has a sister who got married in the summer of 1988, but only after proving to him that she was ready for it by having sex with her fiancee in a piano bar.

.October 9, 1988: the day nothing of any interest came on television.

There’s honestly not a lot here about how good the show is or isn’t.  Again, I have no doubt that there were such articles; they’re just not curated on the fansite. And that’s not a knock on the fansite; weekly TV publications without “guide” in the title were generally thrown away after people were done cutting out the coupons from the Sunday paper.

One reviewer obviously hadn’t watched the show because she uses words like “hilarious” and “laugh” and at one point claims that “Balki… improved his English”. Dusty Saunders of the Rocky Mountain News TV Times claims that not enough people were watching Perfect Strangers, even though it’s funny, really, we promise. Did you see the one where they were in the grocery store? Solid stuff.  In fact, the actors were still trotting out that old Lucille Ball quote. Even Rebeca Arthur admits she thought the show wouldn’t last when she first saw a commercial for the first season. But almost 30 years later, it’s still shown every Friday night at 8:00 on ABC. Wild!

Bronson Pinchot remains the same bundle of insecurity and hauteur.  He claims that he “need[s] to do a certain kind of comedy which is not grown on trees” (emphasis mine). It’s your basic human mental gymnastics that lets you think that you caused your success, because the alternative is that no one, not even you, especially not you, is in control of your life.

But that article is lousy with boasts: he has two homes (one in Hollywood, another in Malibu), superstardom is just around the corner, he had played “bigger parts” before Beverly Hills Cop, he’s the one who recommended Joel Zwick be the director for the upcoming (*ahem*, blockbuster hit) film Second Sight, in which he not only plays the lead, but also rewrote the part.

Bronson also claims that he was the first choice to play Liberace in a TV biopic on ABC. He of course turned it down. After all, sitcom actors who try to take on serious roles are just trying to prove something to people. They look so silly! I mean, it’s not like Bronson can’t do serious roles, everybody at Yale wanted him for serious roles because he was so good at it, but he just doesn’t feel the need to show off, after all, most people prefer comedy because they’re not snooty, it has nothing to do with making money.

He mentions the cousins being on a talk show whose purpose was “dragging men through the mud”. But I don’t think we can trust Bronson’s take on the tenor of the questions, since he claims that all of the women in the front row were openly masturbating over him.

But we again get some articles that give us a more nuanced picture of Bronson. In this 1989 TV Guide (Canadian edition) article, he brags about his success, but also says that he was still doing research on Balki.  Bronson found his father–who left his wife and four kids, as you recall–in 1988, in an “old age” home (this was the 80s, where “retirement” had not been invented yet). According to Bronson here, Daddy Pinchot had “nothing to say. He just doesn’t know me. I don’t see him.”

The easy working relationship between Pinchot and Linn-Baker has been mentioned so many times now (here, by Linn-Baker) that I’m tempted to believe it completely.  Either that’s just the illusory truth effect talking or it really was true.  I think it’s a little bit of both, but I still suspect there’s more to it that Mark’s not saying.  Sure, he’s the one with the more extensive theater background, so when he says that he and Bronson “have a shorthand that only the two of us understand”, I believe him. Like any close relationship, Bronson says he can tell when Mark’s angry–which I bet was hard enough to do, given Mark’s curt, possibly guarded, answers to everything.  (Evidently, Mark’s breathing changes and “his hair starts to fluff up” when he’s angry.)

We get another brief glimpse of Bronson’s admittedly shitty adolescence. Says Bronson: “They say your subconscious has no sense of time, so the part of you that was 11 years old and miserable is still alive inside you”.

And… I think we get a little bit of honesty from him.  In aggregate, the articles I looked at last time ended up portraying Bronson as having thought he was too good for television, and did Perfect Strangers because he was broke. I still think that’s true, but here he frames it as having not been sure that he could play a nice character. And even though Bronson says he enjoys playing a loving character like Balki, the article ends with him saying that he uses the nice character as an excuse to justify acting like an ass to others in real life.

In an article from the San Francisco Chronicle, however, he swears he “won’t play evil”. The author here, John Stanley, made me laugh in a way I don’t think he meant to.  He starts the article trying to describe Bronson as thoughtful, mysterious, distant, and nervous.  But then Stanley says that Bronson comes to life after eating food.  It honestly reads like Stanley has never heard of blood sugar.

Bronson gives us some insight into how he sees and inhabits the character of Balki–or the reverse, as it reads here–and we get yet another indication of Bronson’s relationship to the other sex.  “Women fall in love with the character of Balki and expect to find that quality in me. And when they meet me they suddenly realize I’m either more interesting than they thought, or I’m not interesting at all.”  Gee, sometimes jokes are funny and sometimes they aren’t huh?

Another choice morsel from this article is that, according to Bronson, “Bini” is Balki’s middle name.

Bronson was in Starlog in May 1989, huh?  No wonder that rag folded 20 years later!

The article goes behind the scenes of Second Sight, which was intended (sort of) as a vehicle for Bronson.  Evidently it was the 1988 writer’s strike that resulted in the movie taking so long to come out. The way this article reads, the script had to be “reinvestigated” and rewritten largely by the actors (gee, why is it that actors are always the ones who turn out to save the script when the actors are interviewed?).  I’ll admit I haven’t watched much of John Larroquette’s work in recent years (other than when I go to the gym and Night Court is on one of the televisions), but this Starlog piece paints him as being not at all happy with the movie, or the production of it, or the other actors’ performances. Second Sight evidently had a small enough budget they couldn’t even buy extra ice cream for a second take of one scene. One of the actors tries to describe the movie as “the Three Stooges

A second article about Second Sight makes me wonder why Me and Him didn’t get this much promotion.

Finally, it’s amazing to me how so many details are scattered across these articles; it really has turned out to be necessary to read everything I can to get anywhere near a complete story.  This time around, I learned that the comedy album Bronson had written was done at the request (and payment) of A&M Records, who then turned it down when it was completed.  It’s also implied that Bronson turned down the role of Ben Jabituya in Short Circuit.  Just think!  Bronson could have been remembered as the guy who did brownface, instead of Fisher Stevens! Instead, he’s the guy who’s remembered for saying one sentence.  I’m sure we can all agree who got the better deal in the long run.

Join me in something like 30 weeks for reportage up through season 5.

But join me next week for the actual Season 4 Review!


*Psychology sidebar: priming.  The joke about EC Comics titles was lost on probably 100% of you, but the reason it was on my mind is that F.J. O’Neil was in a show based on an EC Comic.  Priming works this way: subject is shown a stimulus (the word “slavery”) and is then asked a somewhat unrelated question (“name as many presidents as you can”); the stimulus influences the response (subject is more likely to start with Lincoln in their answer).


Susan Campbell


Ah, Susan, will you ever find love?


Is that even what you’re trying to find?


Are you searching for rock bottom, just to see if it’s worth rebuilding on?


Love the new haircut.


Sex, lies, and videotape (cumulative seasons 1-4)

Remember how I said I would never look at the interviews given by the actors in Perfect Strangers?

A few months ago, Phil sent me the Alcott Farm 2017 Calendar Featuring the Work and Wisdom of Bronson Pinchot with Photography by Beth Yarbrough.  There are fifteen of these left as of this writing, so please do purchase one. You may want to quibble over the fact that you will have “lost” two months of its utility, but the wisdom and the works within will return blessing and success to your life for years to come.  Why, January’s wisdom alone has changed my worldview: “Time-altered things retain their loveliness. Their beauty lies in the intention of their maker, whether artist, artisan, or deity.”  Finally, the perfectly-stated rejoinder to the whole idea of the “death of the author”.  Barthes can suck it!

February’s wisdom is almost a continuation of that idea: “If the context of a work of art is knowable, it is one’s duty to consider it as part of the whole; if it is unknowable, it is one’s privilege to exult in the surviving artifact.”  In other words, I haven’t been carrying out my full duty in creating this blog. So I find it necessary to look at the various extant video surrounding this show: interviews, game show appearances, and a smattering of commercials. Many thanks to Linda Kay for her curatorial efforts.  Just think, if it weren’t for you, I wouldn’t have so many things at my disposal to put down this show.

The only lie I have for you–in fact, the only one I have ever made–is that there would be sex in this week’s post.

So strap on, tune in, and get turnt, let’s look at interviews and such through the end of season 4!

Season 1 & 2 (March 25, 1986 – May 6, 1987)

Not all of these videos have specific dates on them, so I’m lumping some of those together here that simply claim to be from the “late 80s” or “1986”, etc.

I am honestly surprised there weren’t more interviews with Bronson Pinchot for this time period.  That is, I’m certain there were, I’m just surprised that they aren’t included on Linda’s YouTube page.  I think we can all agree it was just tons of Bronson interviews where they asked him about Beverly Hills Cop.

Of special note is the fact that in this timeframe, we have the only double appearance by the cousins, on Hour Magazine at some point in 1986.  Hour Magazine was hosted by Gary Collins (you all know Gary), and appeared to be a talk show with an added conceit: each celebrity was the “person of the hour”, and would stick around to be a part of the host interviewing other guests.


Left: me at 6 years old; Right: rare pre-production shot from Mac and Me.

Linn-Baker and Pinchot hang out while Gary talks to a woman who had four sets of twins (one kid excitedly says she watches Perfect Strangers).  They also participate in an interview with a Karen Dean Fritts, a psychologist who was there to discuss whether bachelorhood was on the decline (due to men becoming more selective because of STDs).  Mark is uncomfortable talking about his then 3-year-long relationship, but Bronson’s words are more revealing. Sometime around 1982/1983, Bronson had been engaged. After that went south, Bronson says that he think he’s “not even going to get close for, like, another eight years”.

This interview is also noteworthy for being the last time either one of these actors would touch an animal that wasn’t dead poultry.


I suppose it would have been a safe bet that Bronson was on Hollywood Squares at some point. I’m going to admit something about myself, something I’ve never told anyone else: Hollywood Squares is one of those shows that I’m aware of, but it was never a part of my childhood.  I feel like most people in my general age range must have seen it; it was on during the time period when I would have first started seeing gameshows. Whether it was because my parents mostly watched ABC, or because I never really saw daytime shows, I felt like I had missed out. It usually came up as some sort of joke or punchline, so I’m hoping someone out there can situate Hollywood Squares for me in the greater pop culture context. Was it a good show? Were the celebrities generally well-loved? A-list, B-list, etc.?


At any rate, Bronson was on there at least three times.  He’s not very funny here, and even doesn’t understand a joke the host makes.  I suppose he was out of his element here, since there weren’t any old women to talk to about constipation.

Hey, Bronson Pinchot and Brigitte Nielsen presented an award at the People’s Choice Awards in 1987!  Certainly they’ll engage in some witty banter about how she was in Beverly Hills Cop 2 and he wasn’t, right?


No. Bronson makes a joke, Brigitte doesn’t get it, and Bronson tells her she didn’t get it.  I’m not sure whether it would be better or worse if they had come up with their dialogue beforehand.

Evidently, in late 1980s France, television was undergoing deregulation. This meant that networks needed to (heh) fill some slots quickly, so they started importing American shows.  Like, who cares, really, but I know at least one of you out there will be into the footage of two French voiceover actors moaning while watching Perfect Strangers.

Season 3 (May 7, 1987 – May 6, 1988)

All right! We’re halfway done with th…

*sees that I am on page 3 of 19 in this Google Drive document full of notes*

ah shit

If you think I’m to do a paragraph or two for each of the remaining 40+ videos I watched, you’re nuttier than squirrel shit.  So let’s talk trends. Previously, Bronson had been the star; but now that Perfect Strangers itself was a bonafide hit, it’s just interviews all over the place.

You’ve got your morning talk show interviews:

Bronson Pinchot appeared on Good Morning America a few times that year.  The first I have (from September 1987, right after Bronson received an Emmy nomination) doesn’t give us much information. Bronson deflects the host’s praise about the nomination, as well as the good reviews, as he claims it does no good for him: he doesn’t even get free shoe shines. And there’s the Bronson we all know and love!

Host: So you’re doing great and people like you!

Bronson: This is not enough to make me happy.

It appears he did have a girlfriend that week–he makes some sort of finger-based inside joke to the camera.  At one point, the host asks him about trouble on set, and we learn that Linn-Baker was essentially a class clown–making Bronson laugh, but becoming pure innocence when the teacher notices.  I do want to highlight one thing Bronson says here, in the context of coming up with “don’t be ridiculous”:

Bronson: It came out of… this constant thing, which I think a lot of people have, which is, “I really don’t understand what you’re talking about, but I want you to still like me, and I want not to be stared at right now, so I’m just going to deflect it”.

Deep. My psychology sidebars have nothing on that.

The other Good Morning America interview gives a couple of tidbits: one is how much he and Mark come up with lines for Balki, and how much of the physical comedy they come up with. There’s also a mention of the movie Second Sight, no kidding here, two years before it came out. Bronson is annoyed by the types of things women want to do when they travel.

He was also on AM Los Angeles a couple of times. In one, he talks about flea bites on his ankles. In another, he’s promoting the show’s move to Friday nights.  But this is also where he starts exhibiting a pattern of behavior.  He comes out early before the hosts are done talking about the day’s program, he steals their question cards, throws away the ones that I assume are about Eddie Murphy, and he keeps deflecting questions about his personal life. Second Sight, according to Bronson, was to come out in November of 1988.

But sometimes, Bronson would be allowed to stay up past his bedtime and be on prime time.  He showed up again on Hollywood Squares, where he pretends to call Ronald Reagan as Balki (in the grand tradition of jokes Bronson comes up with on his own, it’s almost a good idea, but ends up going nowhere). He made some small appearances on Entertainment Tonight, sometimes just for quick quotes, like when he shared a memory about how his bosses on Perfect Strangers took him to task for breaking character; and when Bronson thought Harvey Korman would back him up, Harvey Korman did not back him up. One clip from March 1988 gives us a couple of tidbits about Bronson: he was miserable when he’d go 8 or 9 months without a job; and that his goal in playing Balki is to make “you look at things the way you looked at them when you were 5”.  But God I love Mary Hart’s reaction to hearing about Bronnie’s role in Second Sight.


Let’s pretend this one is also from Entertainment Tonight so I can lump them in here. January of 1988: Cheryl Washington interviews Bronson and leads into the clip by saying that Perfect Strangers enticed him to put movies on hold.

*pauses YouTube video and laughs for three minutes straight*

To his credit, though, he does say that he turned down a lot of movies because he didn’t know how to separate the wheat from the chaff.  He was developing “a few movie projects”

*three minutes pass*

but hoped that he could be on a great, innovative sitcom, like Mork and Mindy.

like, look, man, did you watch it or not

From something called Hot Quotes!, and I’m paraphrasing slightly:


Tabloid interviewer: Are any women trying to date you?

Bronson: No, there are none.


Each of the last few generations have had their flashpoint moment, the moment everyone can say where they were that day: Kennedy’s assassination, the attack on Pearl Harbor, 9/11, the moon landing, but for many, it was Bronson Pinchot’s appearance on Hour Magazine in February 1988.  Bronson touches Gary Collins’s leg and makes fun of his socks. Bronson slouches silently and then eats pie made by Pillsbury Bake-Off winner Mary Lou Warren. Then, he and Gary talk fashion with Sandie Newton about mesh biker shirts and Prince William’s knees. They also discuss losing the hair on their lower legs, a clever ruse on Bronson’s part to get Gary Collins to touch his leg.


But hey, the last part of Hour Magazine picks up a bit with actress Sally Kirkland!*

She talks about acting school, certainly something Bronson will have perspective on…


No, Bronson just flirts with Sally. But then the conversation moves on to doing roles with accents, certainly something Bronson will have perspective on…



Fine, moving on to season 4.

Season 4 (May 7, 1988 – May 5, 1989), or, the section with all the Pat Sajak clips

That morning talkshow/late night talkshow order worked alright for the season 3 videos, but I think it’s worth doing the rest of these actor by actor.

Melanie Wilson

We’ve got two interviews here, one from A.M. Los Angeles in March 1989 where she talks about her father, Dick Wilson. Dick was not only on Bewitched, but he was also Mr. Whipple in the “don’t squeeze the Charmin” commercials.  The host is unimpressed by this.  Anyways, Melanie had been acting since the age of 10, going from theatre to commercials to Perfect Strangers.  Also her husband makes closets and the asshole hosts of A.M. Los Angeles straight up ask her if she’s worried about him screwing lonely housewives.  There’s also a lovely quote from Melanie that I just have to present out of context: “It’s true: you’ll never see me anywhere”.


Now here’s one that I found very interesting to watch.  In April 1989, Melanie Wilson appeared on the Pat Sajak Show the same night that Louie Anderson was a guest.**  She tells Pat the exact same story about her dad, but it’s a little punchier by now.  But pretty quickly into their chat, Louie butts in and shifts the conversation immediately to how the makers of Perfect Strangers hated him, and he wouldn’t be on that stupid show anyway.  He acts like he’s joking, but it sounds pretty honest to my ears.  Melanie had no idea that Louie was the original Cousin Larry.


Melanie and Pat talk around the fact that Louie won’t shut up, and Melanie subtly signals to Pat that she’s uncomfortable. He’s an aware enough guy he picks up on it and goes to commercial.

Rebeca Arthur


Rebeca Arthur did a lot of game shows, such as Super Password, Couch Potatoes, and The All-New Liars’ Club. As far as I’m concerned–and perhaps this has to do with her hair color and figure–she fits in well in this setting.  I also find that she’s fairly funny on her own. For instance, in her February 1989 appearance on Couch Potatoes (it’s basically a version of Trivial Pursuits where the contestants only answer the questions about TV), pretty much the first thing out of her mouth is a joke about how Balki fucks sheep.  I love this woman, y’all. I do feel for her, though, since it’s quickly obvious that none of the contestants has watched even a minute of Perfect Strangers; seriously, they don’t even know   Anyway, you find out that Rebeca auditioned for the role of Jennifer first, and that Mary Anne was originally going to be called Rachel. A moment of silence, please, for the Larry Anne (Ship) that never was.


I mention her appearances on Super Password during “Halloween Week” simply to make a few stray observations. First is that the dog seen in “Your Cheatin’ Heart” was actually Rebeca’s dog, Emmy.  Another is that Pat Sajak was the second celebrity guest, which to me now becomes an indication that network lines were perhaps only drawn in the sand.  ABC may have turned Perfect Strangers into a commercial for Moonlighting, but Super Password aired on NBC, and The Pat Sajak Show was on CBS.


The gimmick of Halloween Week is that host Bert Convy had to pass out bags with “tricks” or “treats” in them to the players, and it’s obvious that no one had decided beforehand what merited either one. Bert Convy doesn’t even try to hide how little he likes the gimmick, and Pat Sajak keeps lightly criticizing him for not keeping the pace going.  But, hey, I’m not reviewing Super Password, right? It’s honestly kind of boring to wa–

Oh wait–there’s toys!


I can’t identify that inflatable bat, but it’s likely Oriental Trading Company or Hallmark. Maybe Russ.


In case you were looking for something undeniably 80s from these clips, Rebeca Arthur plays with Shlump, one of the Boglin toys.


On the second show, who cares about anything else, because there’s a Snarlie Narlie from the Rock Lords line.

Not enough Pat Sajak for you yet? Here’s Rebeca on his show! She’s brought her dog, Emmy, along.  Pat gives her a muffin for the dog, and Rebeca jokes about how messy it’s going to be when Emmy shits it back out later on. I love this woman, y’all.


Let’s see, what’s interesting here… she can’t remember what the cousins’ jobs are… she was the Azalea Queen at the North Carolina Azalea Festival… she has a friend named Lisa…

I’ve got eight more pages of notes to condense, so let’s switch to Mark, shall we?

Mark Linn-Baker

Mark had his interview talking points down to a science, and you basically get the same talking points covered in the articles from last time around. He and Bronson have no drama behind the scenes, he and Bronson don’t hate each other, he and Bronson “have good chemistry”.

Again, because I did such a thorough and perfect job creating a narrative of these actors and their relationship to each other, the show, and their own lives, I only have a list of tidbits here.


Mark: The simpler the stories are, the funnier it gets.

Well, I’ve definitely found my season 5 running joke!


Pat Sajak: They’re starting to call you guys Laurel & Hardy, and Norton & Kramden….”

don’t give ‘em any ideas, Pat


Mark: We try to be funny.

Damn! Two running jokes for season 5 and I haven’t even started watching it yet!

It wouldn’t surprise me if people stopped interviewing this guy after awhile.  Anyway, Mark seemed to be a go-to guy whenever someone needed a safe white guy who was associated with comedy, who would show up on time and not mess up any lines.


For instance, he co-hosted Here’s to You, Mickey Mouse with Soleil Moon Frye.  This TV special celebrated Mickey Mouse’s 60th birthday*** by having Mark hang out with a teenage girl in a dressing room and solemnly watch old Mickey Mouse cartoons.  I love you, Mark, but fuck this snoozefest. I’ll stick with Totally Minnie, thank you very much.


Ah, crap, I knew I’d regret this endeavor at some point. I’m going to have to watch the 1988 McDonald’s Charity Christmas Parade in Chicago, hosted by Linn-Baker and Uncle Jesse.


This whole thing is far, far more boring than you’d think.  I watched the whole thing just to bring you these juicy details. John Stamos and Jana Davies keep making jokes about Mark, possibly to throw him off, but Mark sticks to the script like shit to a shovel. Now that he’s spent years on screen correcting pronunciation, he makes sure the home audience knows that you’re supposed to say “pom-pon”.  We learn that Stamos and Mark were in high school band, playing drums and clarinet, respectively.  I was in high school band, and yes, their personalities are an exact match for those instruments. I also would have believed that Stamos played trumpet.  Bob Evans Restaurants had mascots named Biscuit & Gravy; John Stamos’s favorite movie is Wizard of Oz; Jana Davies tries to get the guys to make jokes about her breasts; Jana Davies laughs at what she thought was a fat joke; Jana Davies sounds like a jerk, huh?  They also make up canon for Mac Tonight, which I really don’t appreciate. They’re saying he’s from outer space. I don’t believe it. Guy played a piano on a cloud. I believe in genetic convergence and all, but come on.


Santa is explicitly religious when he talks, which you damn sure couldn’t do these days.

Lastly, because he didn’t mind another $200 bucks in his savings account, Mark hosted the Moscow Circus special (sometime between August 15 and October 9, 1988). Evidently Perfect Strangers had repaired US-Russian relations!


This is the worst spoof of News for the Hard of Hearing that I’ve ever seen.

Mark gives us a very short history of circuses, and talks about how many people are in the Moscow Circus and they also have bears and there’s some sort of mythology about cranes and who fucking cares I’m tired of watching all this shit now I’m tired of this show I’m tired of these actors I’m tired of the whole world do you understand me our whole country is turning into a Moscow Circus and Pinchot spelled backwards is Putin nobody knows conclusively why the term handbasket is used but that’s what we’re in or maybe the more appropriately temporally-localized metaphor is that we’re going to hell in a Hummer or we’re going to hell in a Coca-Cola Freestyle machine we’re going to hell or it’s a Mohamed and the mountain idiom kind of a thing and it’s here we’re in HELL and

oh, the video ended

Bronson Pinchot (pronounced “pinch-ohpopo”)

Of course I left Bronson for last. And of course most of the interviews were with him. And of course he keeps touching feet and shoes. Let’s do these in chronological order.


During the summer of 1988, Bronson appeared on both Good Morning America and Entertainment Tonight to promote his big upcoming super-great-sure-to-be-a-blockbuster-hit Second Sight.  Joel Zwick (that’s him above), director of 49 out of the first 50 Perfect Strangers episodes, was set to direct Bronson as a “psychic virtuoso”.  It’s been most of my life since I watched anything like either one of these programs.  I have vague memories of these shows being on the set of whatever movie, but I don’t know if I remember them happening a year and a half out had more to do with how slowly time passed for youngsters.


Mary Hart (Scorpio): Pinchot, known for his interpretation of offbeat characters such as Balki on Perfect Strangers, says that developing a role for a film–

Wait, Mary Hart, STOP


Shouldn’t you list, like, a second character he interpreted? That he’s known for? Maybe????

Bronson says that it’s high pressure because he has to come up with new comedy all the time during the film.


Makes sense. Larroquette mentions that he finds Bronson funny because he’s always doing something unexpected.  Unfortunately, this doesn’t always work out for him.  In his appearance on Attitudes (a talkshow you’re more likely to remember from the Saturday Night Live parody with Jan Hooks and Nora Dunn), he got the audience to agree to not applaud for him when he comes out, just as a goof on the viewers at home.

What? Why?? Anyway, he mentions Moonlighting, so I stopped the video and went on to the next one.

Bronson showed up again on Good Morning America in November 1988 to talk about how “Up a Lazy River” was some grade-A funny shit, but that the quicksand was made from “fine gravel” and he got an ear infection from it.




Bronson please give Joan Lunden her shoe back.

At this point, I assure you you’re not alone in wondering if Bronson has some sort of fetish.  Sure, the first time, he was making a logical joke about his success not getting him “shoe shines”. Later, when he was on Hour Magazine, Gary made fun of Bronson for zoning out, and Bronson responded by making fun of Gary’s socks; they later made a callback to it and touched each other’s legs.

But here? He grabs Joan Lunden’s shoe before she’s even done with her first question and holds it up in front of him while he says hello to family at home.  Is there something here? Was it some sort of ill-planned joke on the references to Balki having the prettiest legs on Mypos? (Question just for people who like men’s legs: does Bronson have nice legs/feet?) Is it just Bronson trying to buck formula again, either to play the role of Bronson Pinchot, or maybe amuse himself?  At any rate, I’ve got three running (ha) jokes ready for season 5 now.  And I thought it wouldn’t be worth watching these interviews.

Lest you think that Mark Linn-Baker was the only one of the cousins that Arsenio Hall liked, Bronson Pinchost appeared on his show in both February and May of 1989.

I want to apologize that most of this post has been nothing but fodder for your next Perfect Strangers trivia party, but I did finally get some insight from these two interviews.  Let’s get the morsels out of the way first.

–Bronson says he keeps Balki fresh by using his own “rhythm” rather than that of the character.  Yeah, and it fuckin’ showed this season

–Bronson’s family was on food stamps when he was young

–In case you needed more reasons to dislike him, Bronson did not know who Debbie Gibson was

–There’s a bit missing from the portion with second guest, Michael Gross, who had just finished up a 7-year run on Family Ties. I wish I could have seen more of him and Bronson together to know if they talked about their different perspectives on their shows. But mostly during that section, Bronson just pipes up once to make a joke about watching porn.

*shit, I almost forgot to make a joke about watching porn this week, gotta come up with something fast*

Ahem.  I watch porn.


–in the May appearance, Bronson takes off his shoes right away (Jesus…)

–we learn that Bronson talked about his mother’s feet in his February appearance (…Christ)

–At that point in time, Second Sight was supposed to come out in August 1989

–Bronson used to turn up the music real loud when he would bring home girls when he was 17

Yes, that’s right, you heard right, that tender age of 17, when he was in high school and depressed and overweight and barely social…


There’s a couple of ways that you can sort Bronson’s talkshow appearances.  One is the daytime/late night axis.  He likes to goof around in the mornings, steals question cards, steals shoes, tells the audience not to laugh, but on Arsenio, he’s quiet. Waits for a good opportunity to make an adult joke. Shows off his legs to the ladies. Talks about gettin’ that high school poonanny.  Perhaps Bronson’s keenly aware of the audience demographics, and modifies his behavior appropriately.

But another axis is male vs. female hosts. It always seems to be the women hosts that he goofs around on.  Sure, there were both male and female hosts on AM Los Angeles, but he stole their interview cards.  Sure, when both cousins appeared on Hour Magazine in 1986, you could argue that Bronson hadn’t developed his quirky “what’s-he-gonna-do-next” persona, but in the 1988 episode with just him and Gary, he barely talks through most of the segments.  He takes Joan Lunden’s shoe, but he’s remarkably laid-back on Arsenio.

Here’s the thing about Occam’s Razor: not only does it need to be the simplest explanation, it needs to be the simplest explanation that covers all the pieces. Maybe Bronson legitimately loves everybody’s feet, including his own. Maybe his fiancée left because he only wanted to suck on her toes.


He was not the most social person in high school, even if he did bring girls home sometimes. Maybe he did date a different woman every few weeks after finding success, and maybe he did grab secretaries’ butts, but he was engaged, and they did break it off, and he did go on national TV and say that he didn’t think he could ever “get close” to marriage for another eight years. And–spoiler alert–we know now that he never has gotten married.

To try to be fair, I’ll acknowledge that this can’t possibly be the totality of Bronson’s television interviews to this point.  We can’t get a full picture right now of how he developed over the years 1986-1989, and the foot stuff itself could be overshadowed by some other recurring thing–or lost in a sea of no recurring things, if we could. But that previous paragraph is made up of facts, and here’s my interpretation of these interviews seen through these facts. I get the strong impression that Bronson is more comfortable talking to men. When there’s a chance of a woman asking him questions, he seems to need to deflect it by being goofy first.  For whatever reason(s), the Bronson I see in these interviews does not want to have no power in a situation with a woman. Let’s take the attention off of my interior by looking at my exterior.

On the other hand, Balki did try to shine Susan’s shoes with his heart…


Did it–am I done? Did I watch them all?

*collapses into a heap in Yaya Biki’s chair*

I hope you enjoyed this dive into the world of TV appearances; and if you didn’t, please tell me so I won’t waste everybody’s time for the next four seasons.  I’m curious to hear if anyone else has a different take from mine on Bronson and feet.


To end, though, I’ve got one more video from this time period for you.  Bronson Pinchot was in a Temptations music video for some goddam reason because the Temptations weren’t that popular anymore, and Bronson was, which just goes to show you how much justice there is in the world. Also, surprise surprise:


Join me next week when I’ll look at articles written during season 4, and also what our actors did during the summer of 1989. After that you’ll get your season 4 review, I promise.


*At one point in this interview, Gary asks Sally who just came in the door behind the audience; it was Paulina Porizkova. Mere coincidence?

**Mere coincidence?

***Does this mean he was still wet with afterbirth at the beginning of “Steamboat Willie”?

****Thanks again to Linda Kay’s curatorial efforts.

Season 4, Episode 22: Wedding Belle Blues

Hey, y’all!  Before I get to the review, I’ve got some big news!

Now that we’re (kinda) halfway finished with this blog, it’s time to celebrate with a livestream!  I think that’s what we do now when we reach milestones for dumb 80s sitcom blogging.  I’ll do one here, and one towards (or at) the very end, sometime in 2024.

So what I’m going to do is stream 6 or 7 full episodes of Perfect Strangers on Friday, April 14, from 8PM EST until triple question marks. The episodes will be interspersed with some choice tidbits, as well as


That’s right, you heard right, I have written parody lyrics for a bunch of songs and I then offered my first-born child to a bunch of different people to sing them.  (Shh! don’t tell)

I’m definitely going to show you the best (“Get a Job”) and the worst (“The Break In”), but you all get to decide the others!  Here’s a Survey Monkey survey:

All you do is let me know what your favorite two episodes from each season are.  I’ll do some hot data-wrangling and figure out what the top four (or five?) are and put ’em in a queue.

So do that survey, come to the stream, listen to Larryoke songs.  The episodes will be family-friendly, but the songs won’t be, and neither will the chat. In fact, I highly recommend that you all coordinate beforehand so you don’t all show up with the same swear word.

For now, on to the season 4 finale!



The Caldwell Hotel: where previously indicating death, or uncertainty, now is shuttered to us.  This whole season has been a series of failed attempts to get the cousins into or through a party, stopped alternately by their own individual faults, or their focus on each other.  Sound, as always, is ruled by a different physics here, meaning that we hear “Happy Birthday” loud and clear.  It is an announcement to the world that the cousins have rejected all other festivities in favor of their own, and that they alone choose who attends.  It is we few who are privileged enough to see Balki’s birthday party.


Jennifer and Mary Anne (Sagittarius) are there, as well as Harriette (*sniff*), Gorpley, PaulAndre, PaulAndre’s wife (?), that woman from the basement, that guy from the basement Balki tried to kiss, and a couple of others. I assume Harriette gave Carl his own cake so he wouldn’t eat everything there.  I don’t see Lydia, so she must be off with the clown she “hired” to “perform”.


Hey, look! Someone got Balki a plush cat. After 4+ years, Dmitri must have been stiff as a board.  Balki says that at the age of 25, a Myposian becomes a man.

Mary Anne asks what he was before, which is a reasonable question about how stages of development are split up in a foreign culture. I mean, after all, here in America we have plenty of fuzzy age categories: newborns, babies, infants, toddlers, children, adolescents, pre-teens, tweens, teenagers, 20-somethings, young adults.


A guy has come to visit! He has slightly darker skin, black hair, and a weird shirt.  Forget that he speaks better English than Balki does now, he’s definitely a foreigner!


They touch each others’ faces as a greeting. This man is named Verbos Verazones, and he is from the island of Pathos, which lies to the east of Mypos (another island, Skeptos, lies to the west).  Balki says that Verbos doesn’t “look pathetic”.  First of all, GEE I WONDER WHAT PEOPLE FROM SKEPTOS ARE CALLED?? Second, that is a perfectly written joke about how foreign languages are actually English.

Now that the show has spent a whole minute on the island names joke, Balki and Verbos keep thanking each other in very abasing ways because they are both foreign.

Verbos gives Balki a “mooko cookie”, which was a funny joke until Gorpley is forced to step on it (the joke, not the cookie). But there’s another gift from Balki’s mom!


Aww, Balki’s mom remembered that her son is on a sitcom and would need something to choke on when he got the news that he’s going to be married to Kiki Karadopolous.  She’s so sweet (his mom, not the cookie, I can’t vouch for the cookie).

Later, Balki says he got Kiki and Verbos settled “in the hotel” and Larry assumes the flowers are for an upset Mary Anne. Mary Anne was upset because the gift she got for Balki now symbolizes what he’s going to get from Kiki.


Balki, in what must be a Myposian tradition, rips the petals off the flowers, turning it into a festive garbage plant.

Balki starts talking about how it’s the end of the season and with this many speaking roles, there’s no way there’s room left in the budget for a third location, so they should have the wedding in the apartment.

Cousin Larry can’t believe that he’s going through with it, but Balki explains that the dowry (a goat) has already been paid.  There’s some high-falutin’ language there (the goat is a standard short-form inter-island marriage agreement), meaning that Mypos, with its Flintstones-era photography and its use of vegetables in sport, has made some effort to keep up with the changing world around it.  Mypos has adopted the language of the business world to legitimize its traditions to the new generations.  Also, you may remember from the episode “I’m Balki, Fly Me” that a woman could cost multiple goats.  This means that Kiki’s not exactly a catch.

Another throughline for this season has been the tortured joke setups.  Balki starts decorating the apartment with yet more items that were packed into that one backpack he brought with him in the first episode.

Larry: I’ve had it with traditional Myposian bull.


Larry pushes Balki. Are you going to be happy with this woman? Huh? Do you even know her? Does she even have nipples?


Hey, lay off, cuz! I mean, look, Balki’s been trying to get Myposian stuff into a season finale for a few years now.  He only managed to write the letter E all weird on a banner in season 1; he created folk art using Larry’s belly button lint in season 2; he tried getting a real person from Mypos in season 3, but, as you well know (say it with me now)


And even though this whole scenario brings up a couple of questions (why didn’t Balki’s family come? why isn’t this taking place on Mypos? how did Balki not suspect that being given a bride was a thing that happened often on one’s 25th birthday?) I want to say that I really do like it. It’s not like Balki was ever running away from his origin. He wanted his experience in America to be additive as well as transitive.  But in the past four years, he’s become more American than he predicted, and certainly moreso than his family knows. For all that he holds on to some of his past–medicine, wisdom, cuisine–he embraced his future.  It was a lesson he learned last season around this time, when his Yaya died, but Mypos didn’t stay buried.  Its ghost has come back and thrown his life into peril. But not Yaya Biki’s ghost!  Can you imagine if this show did episodes about, like, actual ghosts? That’s too silly, even for you, show.

Balki is Myposian to the core, and here, his internal struggle is the focus.  Usually we see the cousins mudwrestling about whether the toilet paper roll should go over or under, but only Balki is fighting now. He’s bound by tradition, but must give up his gains (here, Mary Anne). Balki must make a choice between mother/land and love/American style, and that choice may well define who he is from now on.  As if Balki’s identity being at stake weren’t enough, this situation throws the cousins’ relationship–their life–into peril. No matter what Balki does, someone will be hurt.

It’s a good setup! So I assume that by 15 minutes in, the cousins will be writhing on the floor covered in wedding cake.

Ah, one more point: Kiki would be shunned in the eyes of her fellow Pathetics if she returns home rejected. No other man will ever take her as a bride. There’s a joke setup about how she’ll have to wear a “scarlet letter”.

Okay, this is a first for me and this blog. I am going to type out the punchline that I think would be funny before hearing the show’s. You have no reason to believe me that I’m being honest, but here goes.  Punchline: something along the lines that she’s wearing a copy of the book.

The show’s punchline:  R for Returned

Cousin Larry asks if there’s any way out of the marriage. Evidently, Zapotsi Polipopolou got out of an arranged marriage to Michi Boomba only because the earth opened up and swallowed him.

Since Family Matters hadn’t even started yet, there’s no way for Balki to time travel and have his wife rebel against Moses. Too bad.


Have you ever watched Clue? I’ve watched it a couple of times, but it’s one of those movies where you have to pay attention to so many things–like who’s not in which scene, and might be a suspect in a given murder.  Well, Clue’s got nothing on this, because it turns out that Lydia wasn’t at the birthday party because SOMEBODY had to ask for a recap in this scene.

She knows all about falling in love quickly and asks if she needs to dress up like a man to repay the favor they did for her.


Harriette tells Larry that knowing that Balki’s marriage was arranged is enough for the audience and takes Lydia away.


At last, we see Larry’s bedroom and… it’s the most boring bedroom in all of Chicago.  I mean, look, he’s got a Norman Rockwell painting framed and matted, and probably some of Larry’s substandard photographic efforts. No doubt there’s a George Michael poster on the ceiling.


Larry and Balki are finally together in the bedroom, and I think you can all understand why the cousins are acting awkward around each other in this scene.  This moment was supposed to happen so differently.  Not with a bunch of people in the living room. Not in the middle of the day.  They each had varying fantasies about what physical comedy scenario would get them here.

Changing lightbulbs, putting a bug bomb in Balki’s room, replacing Larry’s mattress, taking a sign language class so Balki could invite all his new friends to stay over. It would certainly happen eventually, right? But neither wanting their advances spurned, they waited too long. They talk about Balki’s sword for a minute and about how the wife uses it to get the sheep out of the bedroom so her husband doesn’t get confused and go for any ol’ vagina.

Larry sits Balki down and Balki thinks it’s because Larry is going to teach him about sex.  “You learn a lot from watching sheep”. Yeah, haha, if you pay close attention, even from behind you can tell whether they’re into it or not!


Larry wants to say goodbye, but he’s having trouble expressing his emotions. For those of you keeping count at home, Larry says they’ve been together three years, even though Balki said four last week.


Balki and Larry don’t kiss one final time.

Larry’s surprise for Balki is that he got Mama on the phone to hear the ceremony. Couldn’t buy him some art, ya fuckin’ cheapskate? Balki leaves to say “dazoo odoyeye”* to his mother.

Here, for the second time in this blog’s history, I am going to type out the punchline that I think would be funny before hearing the show’s. You have no reason to believe me that I’m being honest, but here goes.  Punchline: Balki’s mom says “Balki!” in that shrill way of hers and also says “Kiki!”. Why else would they have named her Kiki?

We’ll come back to that, because we’re sticking here with Cousin Larry and Verbos for a minute.


UH-OH, Verbos is sad. You’d never guess why, so I’ll just have to tell you: he’s in love with Kiki.


I guess I have to assume that this is Jennifer’s bedroom. After all, it has Jennifer’s personality all over it: what your grandparents’ guest bedroom must have looked like when they first decorated it.

Since Kiki is here, this is a wonderful opportunity for Jennifer to let her know what America is like, what Balki’s like, how being in America has changed him.


Oh, no, wait, we just get the same exact scene about secret crushes, but with women saying the lines. I’d say this scene is about, oh, 66% the length of the other one.**


Kiki says she would sooner throw herself into the ocean than walk around Pathos with an R on her chest and the studio audience laughs.




Fuck you, studio audience.

Fuck you, Robert Blair. Robert Blair is the guy who wrote “Assertive Training”, where Larry tells his girlfriend that she can’t see a friend who’s visiting because it’s some threat to his masculinity. Robert Blair is the guy who wrote “That Old Gang of Mine”, where Mary Anne turns down the career opportunity of a lifetime (not to mention escape from her “friend” who insults her constantly) just so she can be around a guy who, by any assessment, would never realistically be promoted past mailboy. Robert Blair is the guy who wrote “The King and I”, the sole joke of which was that Balki had palsy.

He did okay in season 3 (“To Be Or Not To Be” and “The Graduate”), but Robert Blair is a fallen angel. Look: he’s the guy who “wrote” “Piano Movers”.**

This “joke”–that one man rejecting a woman means the population of three islands will reject her as a person, leaving her with no better option than death–may be the worst thing I’ve seen this show do. I am very relieved to see that Robert Blair is not credited with any episodes after this point. Since you don’t see this as a reader, I want to tell you. You’re going to keep reading the next paragraph right after this one. But I’m having a lot of trouble even hitting play again on this episode.


Balki leaves the apartment and runs into Mary Anne and god DAMN it they’re never going to use that fire extinguisher, are they?

Balki: It will take me years and years before I feel about Kiki the way I already feel about you.

What feeling is that?  Mentally superior?


Balki asks if they can still be friends, and, um, no. They won’t be. How many times have you remained friends with someone you dumped? Friends have to do things together.

Balki tells Mary Anne to sit right up in front so she and Kiki can count each others’ tears.


Balki hugs Reverend Bacon and apologizes for his raging boner.

(Balki acknowledges that the usual guy who performs the marriage ceremonies (Mooki, who lives on Mt. Mypos) would die if he came to America!)

Reverend Bacon says he’s used to doing strange weddings because he used to live in California!  Californians are just so dang nonspecifically WEIRD, amirite?


Harriette used to be some hot shit on this show.  She had all the dirt on everybody, she wasn’t afraid to tell anyone what’s what. Now, in her final moments, she just says the lines that need to be said to move things along She’s been on the phone with Mama, so she hands it to Balki (the phone, not the cookie, Balki ate the cookie 13 minutes ago, why do you keep thinking it’s the cookie).

Cousin Larry is right by Balki’s side, to give the groom away (that should register as a simple cultural difference, but the audience laughs, their brains long since withered to the size of bibibabkas).  Giving the groom away involves the cousins walking and shaking their asses, symbolizing the tender moments they’ve shared, and also what they’ll never have from one another again. Showing you the whole thing because Mark Linn-Baker is great right at the end.

Butts are funny.

Kiki comes in, approaching the altar to the tune of Richard Wagner’s “Treulich geführt” (“Here Comes the Bride”), but it’s with different instrumentation because Kiki is FOREIGN.


We learn from Reverend Bacon that Kiki is the daughter of Atilla and Chichi Karadopolous.  Haha man it’s so good to know that the islands where women can’t hold positions of power in society–or their own personal lives–still has a fuckton of silly names.  Makes it all balance out!


While Reverend Bacon talks about, like, love or God or some shit, Jennifer and Larry exchange the admirers’ secrets, whispering very loudly.


Larry suddenly remembers that they all have five-year contracts, and that ratings have been great this year, so he jumps up and yells to stop the wedding.

This whole episode has been a question about how few people can be hurt by any choice. So I have to say that Larry revealing Kiki’s and Verbos’s feelings and trying to call off the wedding is one of the most effective “Larry tries to help but makes things worse” I’ve seen, because now all three of the foreigners end up sadder than they already were. Even Dmitri is wearing black, as if in morning.


Larry tries to do the Dance of Joy, but Balki says that tradition demands he still get married.

I’m not qualified to get into it much, but there’s been a long-standing debate about how where to draw the line in critiquing other cultures. Critiquing them implies that the critic is from a “better” culture; but this runs the risk of not understanding another’s values, thought processes, and personhood. We are all bound by our culture’s values to some extent, and our individual lives are often stories of negotiation with those values.  Here, we see which side of the debate Larry supports:

Larry: What is it with you people?

Mama calls for her son, saying that Kiki’s parents will not give the goat back (the goat is named “Linki” and is “gifted”).


Harriette gets one last confused look in at the strange things white people do behind closed doors.

Balki says that the marriage must take place.


Balki gives the penis symbol to Verbos and Mary Anne cheers because she is happy SO GODDAM DUMB FUCKING FUCK


Let’s tie things back to the first scene up there: Balki has celebrated becoming a man by letting his mother fix his problems for him. Nah, I’m just being a shit. Balki’s mother getting to flout the law makes women’s status in the Tri-Island area much more murky.  Is it okay because she’s doing it to honor Balki’s wishes? Is it okay because she’s a matriarch? Is it okay because she has a mustache? Is it okay because she’s saving a woman from suicide? Given everything we know about Mypos, it fucking ought to be that last one.

But did Robert Blair even consider this question?


Later on, Mary Anne takes pity on the scrawniest of my running jokes, saying she wants to imbibe brown liquids with Balki.

So how shall Balki sum up his feelings about not having to leave the woman he might be dating?

Balki: Dead horses couldn’t drag me away.

Larry gave the newlyweds a present: a night’s stay in the bridal suite of the Evanston Econolodge. Larry and Balki take pride in having facilitated the boners of another.


The internal balance of the world of Perfect Strangers has been restored. The cousins will stay together, the women have left the room, and nobody that matters had to make any tough choices. But is it still a soft reset in a broader sense? Balki did get his $100 back two weeks ago, but now we find that Mama is still on the phone.  Remember, kids, this was the 80s, where international calls cost by the minute.

Mama’s talking in Myposian, but I’ll translate: she wants to know why nobody thought to have her yell “Kiki!”.


She won’t get off the phone until they do the Dance of Joy. She knows it’s a real crowdpleaser, and a great way to end any episode, not to mention a whole season.


Next week: sex, lies, and videotape


Catchphrase count: Balki (0); Larry (0)

Boner count: Balki (0); Larry (0); Verbos (let’s just say Kiki doesn’t feel pathetic anymore)

Dance of Joy running total: 14
*”dazoo odoyeye”=”you’ve ruined my life forever”

**the correct wage gap percentage for 1989. BOOM

***evidently Blair would write his scripts very quickly, for whatever that’s worth: