Season 4, Episode 13: Games People Play

HRRRRGGGNGNGGNGGGGGGHHHHHH

Ugh. Welcome back, I guess. This fucking show, you guys. Three weeks of various types of shit.  Like, seriously, “Crimebusters” was the attempt to sell audiences on a show about a black family? They barely collect two minutes of screentime amidst Balki’s nonstop verbal tide.

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Anyway, here’s another episode of probably the same shit again.  Some old man walks by the Chronicle with a paper bag, which is already better than anything from the last three weeks. Let’s take a moment to wonder what’s in the bag.  A sandwich? Alcohol? Jell-O, the beloved treat of old men everywhere?

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Inside, RT (Repetitive Tedium) Wainwright comes in to say that Marshall and Walpole want Larry to go on a gameshow called “Risk it All” and write 2,000 words about it for the “Sunday supplement”.

Larry gets excited about the prospect of researching, and so do I!  Games People Play is one of my favorite works in psychology. It lays out the foundations of transactional analysis, positing that there are three ego states: the child, the adult, and the parent.  Think of what this framework will reveal about the cousins, whose criticisms of each other form a complex arrangement of parent-child/child-parent transactions, often disguised.  And–get this–much of the theory of social games is built on the idea of a “stroke” as the basic unit of social transaction.

*rubs hands together so gleefully smoke begins to rise*

Stroke! Unit! This is going to be a solid review, people, and I just can’t wait–

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RT Wainwright: It’s not Watergate.

But–

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RT Wainwright: Get going!

*rackin frackin fliparip rattin hittin*

RT’s right, though. This assignment is completely beneath an investigative team.  But this brings up two questions: why were they assigned it (probably assigned it by Wainwright himself) in the first place? And also, they’ve got some damn balls to be telling the publisher of the paper to go delegate it to someone else. That should be beneath Wainwright. Wainwright’s at least a couple of steps above Larry in the hierarchy, but certainly he’s above Marshall and Walpole. We know more about what Marshall and Walpole do (they investigatively report and they eat sandwiches), so why don’t we see them? Why can’t it just be Wainwright giving the assignment, if he’s the one to say it?  And why did actor F.J. O’Neil play better with audiences than Eugene Roche? Wainwright tells him that Balki has to come too for some goddam reason and that they have 30 minutes to get there. So how was all this set up?  Is anyone going to tell someone at “Risk it All” to expect Larry and Balki? Is anyone going to give them press passes?  Why did Marshall and Walpole wait until 30 minutes before they needed to be there to pass on this information?  Is there a restroom back there past the fire extinguisher, and that’s why Wainwright is going back there? Will he pee? Is he a wall man, or a stall man?

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Show, usually you’ve got some kind of kernel of illogic at your core, but this? This is a huge, gaping void.  An old white guy whom we’re seeing for the first time this season (and the second time ever in the whole show) runs in, says “You’re going to be on a game show and I mean NOW, pal!” and runs away.  I would have expected you to recap the plot setup for people who tuned in late once they realized The Father Dowling Mysteries wasn’t on that week*.

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Larry decides that, even though there are at least three other people who work in the basement, he’s going to take Balki. He’s never had any problems bringing Balki along!

It turns out that it’s not only Balki’s favorite show, but he’s also in love with the hosts: Bink Warmington and Kelly Langston.  There’s an actual good joke about how vapid female game show personalities were in the 1980s: Kelly published a book on “hygiene for teens”.  To me, a child of the late 80s, the joke works because it feels like the kind of book that someone like that would publish. What’s more, though: Vanna White did publish a book in 1987 (Vanna Speaks) which, among other things, did offer beauty tips.

*sigh*

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This may have been one of the quickest “plot” setups we’ve seen, not to mention the least logical, but at least I can always count on the person who makes all the signs and graphics to cheer me up. They replaced the S with a $ and everything. (-□-)︵*

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For, I think, the third or fourth time ever, both cousins are off-screen at the same time. These two women aren’t crucial to the plot, but I savor such moments. And, oddly enough, these unnamed women are doing what such unnamed women always do in my fantasies: trying to knock apples off each others’ heads with squirt bottles of ketchup.

If Kelly Langston is a straight-up Vanna White-alike, then this is surely meant to be Double Dare.  I mean, right down to the logo having 3D letters against a colored burst.  It wouldn’t surprise me if there were similar shows in local markets, but yeah, it’s Double Dare.

I skipped over this a minute ago, but Balki suggested they call all their friends to come get tickets to the show and see them. Larry told him they didn’t have time, so we were left to assume that they weren’t called.  But here are all four women in the audience!

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HOW?

I mean, maybe it could make sense? Mary Anne (Sagittarius) may be so dumb that she thinks Supermarket Sweep is the janitor’s job, but I’m willing to guess that she telepathically knew the cousins would be playing.

We are given some dark foreshadowing as the women contestants walk off the stage: they are blaming each other for their loss.  A show that forces people to work together has instead torn them apart.

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Larry somehow didn’t know that Balki’s favorite show involved stunts and now fears that he will humiliate himself in front of an entire city.

Uh, buddy? Hate to tell you…

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Somehow Kelly Langston got the information about Larry and Balki being cousins in time for the show.  She’s a thorough professional, not showing upset at not having known until maybe 15 minutes ago.

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Balki runs around the set shouting about the games and weeps openly in front of “Dueling Buckets”.

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Kelly does that same arms-out motion that women do anytime I try to hug them.  You know it has to be in her contract that this kind of thing is never supposed to happen.

Okay, this brings up another two questions:  Are there really only two hosts and a few cameramen working on this show? Again, why is it okay that these two guys are able to just show up almost without warning and 10 minutes later get to be on television? Is there no screening process? Why weren’t the cousins coached at all by anyone about what the show would entail? Isn’t there always someone there to tell you what you can and can’t do on air? Like, don’t curse, don’t badmouth the hosts, don’t talk to the audience, don’t talk to the cameras, don’t take your penis out unless you absolutely have to.

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I guess not, because Balki talks openly about Kelly’s nude photo scandal (hey, what better way to teach teens about hygiene?) and Bink’s false teeth. Then he puts his face directly into the camera and runs off for a quickie with Mary Anne.

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Balki’s second big TV debut makes me kind of sad. After all,

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and she’ll never get to see this.

Bink offers them the option to do stunts or answer questions. Oh, good, for a minute there I thought they might get their clothes dirty.  Cousin Larry gets excited because he likes questions.

Balki keeps the focus on himself by trying to do both Bink’s and Kelly’s jobs and explain everything.  Bink is great, because he looks about as ready to hit Balki as I am, but there’s an odd effect going on in this episode.  At this point, the fourth wall falls a little bit, because the ABC studio audience keeps laughing at everything Balki does.  But… we just saw that there is a real audience there to watch Risk it All, so it makes it feel like the studio audience for the game show is laughing at Balki.  Bink may be flustered by Balki, but isn’t this the type of thing that launches careers? Harvey Pekar on Letterman, William Hung on American Idol, Jennifer and Mary Anne on… on second thought, let’s not go down that path.

Bink: Which famous artist cut off his ear?

Larry goes to answer and Balki stops him.

Phew! For a minute there I thought this episode could have been done with any two characters who could stand upright and talk out loud. But I forgot that Larry sees things one way, and Balki sees things another way.  That’s the difference that Perfect Strangers brings to the table. Also I think they work for a discount store?

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Bink tells them it’s only a 30-minute show. He knows as well as I do that watching two men argue about which button they’re going to push so that one of them can write for a newspaper is not exciting television.

And what the hell, I’m not feeling particularly kind to this show this month, so I’ll point out that despite Larry arguing that he just wants to answer questions and go home to write his article, he’s going about this the wrong way.  Neither one of them is being cognitively present for the experience of being on a gameshow. Everywhere they go, no matter what’s going on, the only show these two are interested in is each other. Larry will have plenty to write about how Balki is his cousin, but ultimately he’s traded the struggle he should care about–man vs. corporation–for the safe one, the one he’s comfortable with–cousin vs. cousin.

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Larry answers the question and Bink has to look at the card to verify it for some goddam reason. Anyway, the next game Larry doesn’t want to do is “Sit On It”, which involves breaking whipped cream-filled balloons by sitting on them.

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Balki: We good at this, Cousin! We do this every Wednesday!

Larry answers a question about the Peanuts comic strip.**  Balki gets upset at Larry hitting the question buzzer and tries to explain patiently to him that he wants to do the stunts. He tells Larry that it’s war and they stare at the studio audience for some goddam reason.

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This brings up two questions: how does Balki watch a daytime show when he has a fulltime job?

After the commercial (and I assume, the commercial for “Risk it All”?), Larry bashes Balki’s head into the console.

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The women cheer even though they have to realize that the cousins are doing their shit again.

Bink comments that they are the only contestants to make it so far without doing a stunt.  You can tell he’s trying to convey to them that they have ratings to maintain, and that old women are changing the channel to Matlock as he speaks, so get with the fucking program.

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He offers them “Flying Chickens” and how

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did that

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become a thing?

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Anyway, Larry answers another question and they cut to commercial. Bink loudly demands the head of whoever let the cousins in.  Evidently, the cousins’ presence is so dangerous to this show that he just leaves them there to shout at each other in front of the audience.

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Balki wants prizes and Larry inadvertently becomes the mouthpiece for the American Judeo-Christian Tradition. You see, the Judeo-Christian worldview is that people are inherently evil.  That, just as an apple has its seeds inside it, so too was all of humanity*** inside Adam at the Fall, and complicit in the choice to rebel against God. Larry identifies greed as the most basic of all human failings, a root of all kinds of evil. Greed is inside Balki, and Bink is the temptor, sucking Balki in. Bink is false down to his very teeth, “Warmington” a false front for the hellfire inside him, fallen angel calling to fallen man.

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Nah, j/k, the Risk it All audience just yuks it up over an Alien reference, not realizing that these are real men in an abusive relationship.

Bink returns and sets the cousins on the pinnacle of the temple and shews them the prizes they could claim if they risk their current winnings of $1,000. The prizes are some of Larry’s main weaknesses:

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A phallic symbol! An even taller blonde! A giant swiss cheese prop that’s no doubt bigger than his brother Billy’s giant swiss cheese prop!

Larry may have shooed the demon of greed out of his own house, but now the demon has returned with seven others. He says they’ll risk it all and starts humping Balki.

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Lydia starts getting hot for Bink, and Mary Anne voices a practical, real-world concern about the prizes.

Kelly starts to explain Dueling Buckets, but Larry just starts shouting and growling at Bink to give him a question; which he then answers correctly. The car is theirs!

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Again, Bink takes the cousins up into an exceeding high mountain and shews them a cruise around the world, and $25,000; and says to them, all these things I will give you, if you’ll just fucking do the games during the bonus round.

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That’s not how game shows work. They’d cut to the announcer talking over a static image of a cruise ship.

Psychology sidebar: Social facilitation is an effect where the presence of an audience can magnify someone’s skill, or lack thereof. If someone’s good at a task, performance improves in front of an audience. This is, in some ways, the core of social psychology, and it’s a consistent effect across species. In fact, there’s a fascinating study with cockroaches where the researchers–

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what

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Creepy Balki tries to look down Left Banana’s peel while Bink tells them they can answer questions or do all the stunts in a row. I really like Bob Goen; he knows he’s supposed to be playing a tempter type, throwing out the easy question cards with evil glee.

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Bink: What land did the Roman emperor Claudius annex in 43 AD?

Larry realizes Bink’s true nature and calls for aid:

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Larry hits the STUNTS button (the irony here is that Balki knew the answer).

The cousins have three minutes to make their way through the whole grocery store play all the games, and they also have to travel from game to game on the “Risk It All Commode Cab”.

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Kelly:  That’s right, Bink! It’s an American Imperial Whisper Flush with a patent cushion seat, compliments of Cunningham Hardware, Milwaukee, Wisconsin.

Okay, if you’d told me that this is where the episode was going–that Larry and Balki were going to be haunted by bananademons and forced to shit on live television–I wouldn’t have cared about the shoddy setup at all. Like, RT (Rolling Toilet) Wainwright could have just said “I want you to investigate how Satan himself has taken over daytime television” and I’d have just fast-forwarded to here.

The cousins play “Sit On It”, getting whipped cream all over their asses.

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The cousins play “Dueling Buckets”. Larry throws beanbags at targets so that the buckets rain shit on Balki’s head.

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Larry just crazily hops up and down on the toilet, but what else is new.

The cousins play “Wheel of Schmutz”, where they have to grab four necklaces and put them around their necks.

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The cousins play “Flying Chickens”, where they must catapult a chicken in the air and catch it in a bucket of barbecue sauce. They’ve been practicing for years; social facilitation means they finish this one quickly.

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Seen here: physical comedy that’s actually making me laugh. Linn-Baker’s just tiredly waving Balki to keep moving while Balki struggles to push the Commode Cab.

The cousins play “Bobbing for Bananas”.

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Here’s the flip side of social facilitation: if you’re not that great at something, your performance goes down. Now that the guys have women to suck their dicks, they haven’t been doing it for each other. They lose everything.

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Larry comes home and is happy that he has what he needs for his article. He says he should be proud of himself, but instead he cries again.

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This isn’t a good thing you’re doing, show. It was one thing to have Larry worn completely down and reveal his needy inner child, but you’re just abstracting that into “Larry cries at the end”.

Larry: If I’d just had five more seconds, I think I coulda gotten that last banana.

I was going to write some fake Balki dialogue, like “I brought it home with me, cousin”, but that’s barely more of a gay joke than the show makes. Balki’s waggling his eyebrows and everything.

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This week’s lesson, as stated by Balki, is that sometimes it’s good to have fun.  Is it a lesson for me for reviewing the show? I don’t know. I had fun watching it. It encapsulates a lot of the goofy late-80s television aesthetic. I’m not saying that it’s impressive for one TV show to look and feel like another, but I’m definitely grooving on the nostalgia aspects here, and there sure were plenty. But…

Is there really any reason for this show to do this story? A booksmart Midwesterner struggling to turn his photography hobby into a career and his eternally naive sheepherder cousin who wants to live the American Dream… go on a gameshow. And now that I’ve typed that out, yes, I think that is a fine story for Perfect Strangers to tell… season 1/2 Perfect Strangers, that is. Balki, swayed by anything the TV says to him, gets them on the gameshow somehow. Season 1/2 Larry is more often a protective Larry, rather than an unswervingly manipulative one. His cautions to his cousin about greed (and maybe how you have to pay taxes on prizes) turn into an opportunity to impress the upstairs blonde.  But here, Larry’s already had his good career move and just wants to win prizes because, hey, it’s more money, and the weather’s great on a cruise. Here, the newspaper job, and Balki’s time in the states, are mere distractions, so just get to the gameshow already so we can whip out all the sure-fire funny words: bananas, chickens, hygiene, commode, buckets, schmutz, sit.

Join me next week for “Come Fly With Me”!

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Catchphrase count: Balki (0); Larry (1)

Boner count: Balki (0); Larry (0); Lydia (1)

*I at least get to do some research

**In the real world, early 1989 was about the same time that I started learning to read, which coincided with when that comic strip strangely changed its title from “Snoopy” to “Peanuts”.

***In this view of things, Eve’s not sinful, she’s just dumb. Looking at you, JCT

Season 2, Episode 14: Trouble in Paradise

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The episode opens with a shot of a bunch of people not going into the Ritz Discount store.

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Balki and Cousin Larry inventory Halloween accessories. I assume this is happening in January or February at this point, so of course this is the perfect time to–

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Yep. Okay. What can I say, it was the 80s. I do enjoy Balki doing a Reagan voice filtered through his Myposian accent. Anyway, Balki’s goofing around because he really doesn’t give a shit that Larry’s worrying whether Jennifer likes him. Balki’s smart enough to realize that the show decided long ago that Larry would date Jennifer. Balki cuts through the “what-do-I-do” bullshit that Larry has been repeating since middle school and tells him to just ask Jennifer how she feels. We get a small glimpse of Larry’s hangups when he says that women’s subtle, nuanced signals must be “read”. I’m guessing there’s some backstory there bookended by Larry asking if a girl liked him, and Larry having pig’s blood dumped on him at the prom. Anyway, can we just skip ahead to the end at this point so we can see a post-breakdown Larry just fucking ask Jennifer a question?

Balki suggests that they invite the women over to their apartment for dinner. That was nice of you to ask, Balki. Then Jennifer and Mary Anne (Sagittarius) come in and–

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Holy shit they killed Linda and took her job, didn’t they?

Yeah, and her little dog, too. Then there’s a joke about how Mary Anne is jetlagged and keeps asking people what day it is because she wants a second opinion. Balki invites them to dinner, and then there’s a joke about Mary Anne thinking she left the gas on the whole time they were in Rome. Just in case you forgot, people, Mary Anne is dumb. She’s a dumb, blonde stewardess.

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She’s so dumb, she thinks Twinkacetti is a snack food you eat on a loveseat.

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Balki forgets his lines for a minute, but after they get that sorted out, Larry starts his little shitfit. He demands they close the shop early so that he can go buy out the Bismol at Walgreens and so they can have time to prepare a sophisticated feast for a sophisticated woman like Jennifer.

The show seems to have hit on a good thing for Balki to do that serves as a joke in a couple of ways: have him speak in a different voice. Usually it’s a lower voice, like when he sang “Danke Schöen” when they were in Vegahhhhssss. Or a couple minutes ago, when he did Reagan. Here, he parrots the bit about “simple nervous tension” from the old Sominex commercials:

What can I say? It works because it’s such a shock to hear Pinchot speak normally, and it reminds us that Balki the Kid is growing up on American commercials. It can also work as a mirror to American audiences, a subtle commentary on the stranger parts of media culture. It doesn’t do that here, because this show is too busy having Balki cry to get what he wants. I would have loved to analyze the hell out of this week’s episode, but no, Balki’s crying, so you get a review that barely breaks 2,000 words. What the Myposian fuck are you crying about this time, Balki?

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Balki wants to help cook.

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Before we know it, it’s nighttime, and here’s scene #117,383 that begins with Balki singing a song (“I’m So Excited” – The Pointer Sisters, 1982). At least we’re back to situation-appropriate songs. Balki wants to get laid (but even if he and Mary Anne are still playin’ around, well, that’s just fine).

Larry comes in wearing the dress jacket that he’d probably been saving for when he got an interview with a newspaper, but since he’s long given up on that, he figures maybe he can use it to try to get Jennifer to sleep with him (nah, just kidding, he’ll be thrilled if he can effectively make and hold eye contact with her for three seconds).

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The cousins seek confirmation from each other on their special outfits, “special” boiling down to “addition of jacket” and “addition of gold tassels”. Then the episode spends a whole three minutes establishing what I’m going to say in 15 words: Balki made Myposian side dishes, Larry gets upset about it, Balki gets upset about it. Basically, this is an example of “Uproar” as described by Eric Berne, M.D., in his landmark book Games People Play.

While many “games” that people play take the form of trying various assholish social shortcuts to get psychological “strokes” (acknowledgment, social benefits, etc.), others involve settling for second-best: feelings of moral superiority, blamelessness, revenge. “Uproar” deals with sexual tension between people who, for whatever reason, are trying to avoid having sex. The two parties decide to escalate situations to the point of forcing each to hurt the other’s feelings, providing an excuse to be physically separate from one another. Berne seems to have been close enough in time to Freud to see this “game” having its roots in children’s sexual attraction to their opposite-sex parents; though he does, in the end, admit that it can occur between any two people trying to avoid sexual intimacy.

You see, what I’m saying is that Larry’s afraid that if he doesn’t keep creating situations that end unhappily for the both of them, there will be nothing keeping them from screwing each other’s brains out. Because they’re gay for each other. Nah, just kidding, you could just as easily apply this interpretation to Larry’s one-sided sexual tension in regards to Jennifer.

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Anyway, I will mention that we get a couple of Myposian food names here: dingdingmahmoud (pig’s snout in saffron) and babadmichi (eel wrapped in grape leaves, the traditional Myposian courtship dish).

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That’s the babadmichi. It wouldn’t be a courtship dish if it weren’t phallic, right?

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Jeez, I take a couple minutes to try to infer some actual psychological depth for this show and it rewards me with these dinguses just fucking throwing a scalding-hot duck around. Balki’s so pleased about Larry’s duck being ruined that he makes the same face I did this one time where I had a bunch of sugar-free brownies right before a trip and ended up with severe gas pains the entire plane ride.

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They start fighting again about the dingdingmahmoud, but then there’s a knock on the door! Oh no! Let’s shout at each other some more!

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Mary Anne (Sagittarius) exclaims over the tablecloth and the plates, saying it’s just like “one of those fancy restaurants”.

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The illusion is brief, however, as Balki ruins it by rubbing his erect penis against her back.

Larry brings the duck over and–

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Hey, look in the foreground, everybody, meet Dmitri’s girlfriend, Hitachi.

Larry calls this “duck a l’orange” because it’s a thing he think you calls duck to make it sound fancy. Then Larry “cuts the duck”.

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I’m so fucking immature. Anyways, everything Larry cooked basically turned to shit. This show is determined to have Cousin Larry and Balki’s culture war play out through every possible cultural artifact, aren’t they?

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Jennifer almost throws up when she finds out what dingdingmahmoud is, so you can chill out, Cousin Larry. Whether or not she likes you, she’s going to be your girlfriend, okay?

But Larry just loses his shit completely and shouts at Balki five yards away from the dining table. They trade insults about each other’s cooking. Larry accuses Balki of acting like a five-year-old. Mary Anne then shows them what a real five-year-old acts like:

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Mary Anne: Do you have any ketchup?

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Jennifer tries to leave, but Larry, panicked, begs them to stay, promising them pie. Jennifer decides that if she has to stay, she’ll at least try to calm the Cousins down by putting things in perspective for them. It turns out that she and Mary Anne don’t get along perfectly either!

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Mary Anne takes forever to put on her makeup!

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Jennifer rearranges Mary Anne’s closet!

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Mary Anne doesn’t keep her shit organized!

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Jennifer smells like shit!

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Mary Anne eats shit!

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You fucking bitch!

Larry and Balki try to separate them, but–

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Fuck you.

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Fuck ME? Fuck YOU!

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Balki realizes that, since Twinkacetti isn’t in this episode, someone has to be an adult here, and he tries to resolve things between Jennifer and Mary Anne. Among the many other character details established about these two during their fight, one mentioned at this point is that they’ve known each other since they were 8 years old. Balki makes a speech about how Jennifer is too perfect for Mary Anne, and Mary Anne isn’t perfect enough for Jennifer, so they should find some common ground since they have been friends for so long. Sure, yes, length of relationship trumps toxicity of relationship, I’ll be sure to bring that up the next time someone tries to break up with me. Balki tells them to hug.

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They hug. Then Creepy Balki tells them to hug him.

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They hug him.

And even though there’s still a whole meal’s worth of food, Larry knows that no one’s getting laid after all that, so he suggests they just order a pizza.

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Mary Anne kisses Balki good night, and Jennifer gives Larry some vague “glad I got to know you better” brushoff bullshit.

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And look at these smug dumbasses. They take the opportunity to do some downward social comparison and put down Mary Anne for being dumb and Jennifer for being a neat freak. Larry gets up on his high horse and says that they’ll have to learn to compromise since good friends are hard to come by.

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The cousins both pause in their table-clearing and you can tell that not only has the music come on in the show, it’s come on in their hearts as well. They learn a special lesson about how THEY have to compromise, but they’re missing the real lesson here.

When Balki and Larry joined Reuben’s Perfect Body, they had no idea what they were signing up for. First, Jennifer and Mary Anne joined their inter-small-business baseball league. They paid Twinkacetti’s daughter to sneeze in Larry’s face, keeping him from his date with Bonnie Kleinschmidt’s left boob. They used Larry and Balki as pawns to get rid of their numbers-running criminal boss, Vince Lucas. Then they moved into the apartment building. There, they “took care of” both Linda and Susan off-screen. But where’s Diane? Where’s Carol?

At first, I thought they were just trying to off the other female characters one by one until there were no more one-off extras, no more third locations, just the four of them in one apartment and endless jokes about boners and how Larry’s never gets to go anywhere. But after this episode, I see more clearly now. Who was driving the taxi that almost ran Balki over? Who sent them the free tickets to Vegas? Who made it so easy for Balki to find a dog that would certainly get him and Cousin Larry kicked out of the building? WHO INDEED

Don’t you see what’s happening? Excuse the derogatory term against Myposians, but WAKE UP, SHEEPLE! These women are trying to take over the show! They waltzed right into Larry and Balki’s apartment and proceeded to steal their whole bit. You had the arguing, you had the physical comedy (eh, it was a catfight, but I’ll count it), there was even a line about how Mary Anne sings situation-appropriate songs on the job. You had everything but Jennifer chewing Midol like they were candy. Deep down, even Balki knew the end was near; note how his subconscious kept putting the word “perfect” into his little speech about their differences.

I also see now the foreshadowing that the opening scene provided. They were inventorying Halloween costume accessories (vampire fangs, Vulcan ears, etc.) calling attention to the fact that they both Linn-Baker and Pinchot are themselves already in costume. But, upon taking inventory of themselves, it’s found that their costumes are such cheap imitations that they didn’t sell out during the prime time for their demand. The Reagan mask, if a little on-the-nose, tells us that actors can fill any role with an audience, and floats the idea that one actor could even replace another. But Jennifer had so bewitched Larry by this point that he couldn’t even focus on doing a good job with the inventory counts (that is, a good job with the costume he was given), and ended up making the ages-old mistake: inviting the vampires into his home.

*sigh* I guess I get to make more jokes about how dumb Mary Anne is. She’s so dumb she thinks that Balki works at a store that sells crackers past their expiration date.

Stay tuned for next week’s episode, “Beautiful Dreamer”, where Jennifer and Mary Anne’s supervisor (played by Anne Ramsey) makes them work red-eye flights for a straight month, leaving Mary Anne so tired that she falls asleep in the middle of their attempt to kill Balki and Larry.

Nah, just kidding, it’ll actually be a guest post!

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Catchphrase count: Balki (0); Larry (0)
Boner count: Balki (0); Larry (0)